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Previous Item   March 29, 1974  Next Item SOUND  VISION WORD
    Konzerthaus Elzerhof    Heidelberg, Germany
 

 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars5 out of 5 stars6 out of 5 starsLove this German tour...   April 13, 2013
Written by jeffoaster
The concerts from the German leg of Crimso’s ’74 tour are all top notch, and all bring something special to the table. There are some interesting nuances to this show. There is nothing particularly special about the opening improv and Doctor Diamond - it’s a good version, it’s just pretty much par for the course. Things start to get interesting soon after. The improv leading into Exiles (not separated into a different track) sounds like it is going to lead into Larks Toungues Part I. Is that just the way it started, did the band intend to play it one last time? Whatever the case, part of the way through, Cross starts steering the band into a rather strong version of Exiles. The following improv starts out like an already-in-progress Providence or Asbury Park - quite odd given that the band tended to noodle around until locking in and then leaving us all wondering if they were really improvising. The playing is really tight on this one. Starless starts out with Fripp playing The Night Watch, before he corrects. The song gets off to a bit of a ropey start - it sounds like Wetton misses the vocal cue so they play an extra measure and then he comes in. He’s still not comfortable with the incomplete lyrics and the song seems like it is going to get derailed.... until the instrumental section. Bruford decides it’s time to dominate and they don’t turn back from them. Cross tears it up once the tension releases, then Fripp finishes it off (and throws in a few brown notes just for good measure). Great finish. Then Night Watch comes in. Is it just my imagination or does Fripp take an added pauses after running through the intro, as if to say, "am I getting it right this time?" His solo seems strangely muted, or too low in the mix. Rock solid versions of Lament and Easy Money follow, before we’re given a preview of Fracture, then the obligatory tape-run-out (c’mon guys, was there a shortage of recorders or something?) during Fracture. Highly recommended, and I wouldn’t mind seeing some more concerts emerge from this Spring tour, especially a complete show.


 

Audio Source: Board Recording

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